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<channel>
	<title>Halvor Bodin</title>
	<link>http://www.halvorbodin.com</link>
	<description>Halvor Bodin</description>
	<pubDate>Tue, 27 Mar 2012 18:32:27 +0000</pubDate>
	<generator>http://www.halvorbodin.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Arthaus animated logo</title>
				
		<link>http://www.halvorbodin.com/Arthaus-animated-logo</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Arthaus-animated-logo</comments>

		<pubDate>Tue, 27 Mar 2012 18:32:27 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Arthaus, motion graphics, animation, film, 2012]]></category>

		<guid isPermaLink="false">3089711</guid>

		<description>&#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00007_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00007_o.jpg" align="left" data-mid="15767756" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00030_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00030_o.jpg" align="left" data-mid="15767759" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00039_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00039_o.jpg" align="left" data-mid="15767760" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00043_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00043_o.jpg" align="left" data-mid="15768053" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00046_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00046_o.jpg" align="left" data-mid="15767761" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00049_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00049_o.jpg" align="left" data-mid="15767764" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00054_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00054_o.jpg" align="left" data-mid="15767768" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00058_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00058_o.jpg" align="left" data-mid="15767770" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00062_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00062_o.jpg" align="left" data-mid="15767771" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00068_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00068_o.jpg" align="left" data-mid="15767772" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00069_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00069_o.jpg" align="left" data-mid="15767773" /&#62; &#60;img src="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00070_640.jpg" border="0" width="640" height="346" width_o="1400" height_o="757" src_o="http://payload39.cargocollective.com/1/0/24546/3089711/arthaus_3sec_1998_1081_00070_o.jpg" align="left" data-mid="15767774" /&#62; 

3 sec. logo animation for Arthaus
Flat and scope formats
Editing, direction, motion graphics by Halvor Bodin
Arthaus logo by Ellen Lindeberg &#38; Egil Haraldsen at Exil Design

About Arthaus
The art film foundation was established August 19th 1992 by the Norwegian Federation of Film Societies. The purpose of the foundation is to improve the conditions for artistically valuable films in Norway, among other things by importing and distributing films for screening in cinemas and film societies, and by spreading knowledge and information about film as an artistic and cultural medium. The foundation is non-commercial.</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload39.cargocollective.com/1/0/24546/3089711/prt_1332873088.jpg" />

	</item>
		
		
	<item>
		<title>The Painter</title>
				
		<link>http://www.halvorbodin.com/The-Painter</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/The-Painter</comments>

		<pubDate>Fri, 23 Mar 2012 18:28:34 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Haugar, Ragnar Almén, art related, book, exhibition catalogue, 2012]]></category>

		<guid isPermaLink="false">3065739</guid>

		<description>&#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2350_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2350_o.jpg" align="left" data-mid="15639283" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2357_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2357_o.jpg" align="left" data-mid="15639288" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2359_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2359_o.jpg" align="left" data-mid="15639291" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2361_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/_MG_2361_o.jpg" align="left" data-mid="15639293" /&#62; 
&#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_1112273_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_1112273_o.jpg" align="left" data-mid="15639687" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122721_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122721_o.jpg" align="left" data-mid="15639691" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122726_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122726_o.jpg" align="left" data-mid="15639694" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122727_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122727_o.jpg" align="left" data-mid="15639699" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122741_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122741_o.jpg" align="left" data-mid="15639705" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122748_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122748_o.jpg" align="left" data-mid="15639707" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122749_640.jpg" border="0" width="640" height="373" width_o="1814" height_o="1058" src_o="http://payload38.cargocollective.com/1/0/24546/3065739/Ragnar_Almen_bok_materie_11122749_o.jpg" align="left" data-mid="15639710" /&#62; 

Ragnar Almén
The Painter
Haugar Art Museum 21 January–29 April 2012

Book/exhibition catalogue
104 pages
Text: Øivind Storm Bjerke, Jan Åke Pettersson
Photography: Tomas Moss, www.icu.no
Design: Halvor Bodin
Trykk: Zoom Grafisk AS
Paper: MultiArt Silk 170 g/m2
Type: Sentinel
ISBN 978-82-92095-32-4
Galleberg forlag 2012


Ragnar Almén (born 1949) has long played a very significant and active role on the art scene of Vestfold. Although best known for his prints, he has consistently exhibited works in a wide variety of techniques. For this retrospective exhibition we have chosen to focus on his contribution as a painter. Throughout the last 30 years his paintings have been created in a close relationship to the themes he has explored in other artistic techniques. To highlight this process ten bronze sculptures have been included in the exhibition. 

After a turbulent childhood in Oslo Almén arrived in Borre, eleven years old. On leaving school he went to sea as a merchant sailor, before returning to sail in local waters as an able seaman on the Bastø Ferry. During the 1970s he was given artistic tuition by Gunnar Romberg in Tønsberg and a grounding in printmaking by Bjørn-Willy Mortensen in Åsgårdstrand. After his debut in 1976 at Galleri Norske Grafikere (Norwegian Printmakers Gallery) his characteristic style began to emerge, as did the themes around which his art has revolved. Inspired by artists as diverse as Lars Hertervig and Francis Bacon, his paintings – often heavy in symbolism and with a restrained expressivity – explored personal experiences, but also themes as varied as political repression and the subdued landscapes near his home.

This exhibition is curated by Øivind Storm Bjerke, professor at the University of Oslo. He has also authored the book that accompanies it. Published by Galleberg, the book reproduces most of the 60 paintings in the exhibition.</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload38.cargocollective.com/1/0/24546/3065739/prt_1332527215.jpg" />

	</item>
		
		
	<item>
		<title>Haugar 2012</title>
				
		<link>http://www.halvorbodin.com/Haugar-2012</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Haugar-2012</comments>

		<pubDate>Fri, 23 Mar 2012 17:45:27 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Haugar, programme folder, Andy Warhol, Edvard Munch, art related, 2012]]></category>

		<guid isPermaLink="false">3065603</guid>

		<description>&#60;img src="http://payload38.cargocollective.com/1/0/24546/3065603/_MG_2374_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065603/_MG_2374_o.jpg" align="left" data-mid="15638656" /&#62; 

Programme folder 2012 for Haugar Art Museum
Design by Halvor Bodin

Front cover image:
Andy Warhol
Madonna and Self-Portrait with Skeleton’s Arm (After Munch), 1984
Screenprint on Lenox Museum Board
81,3 x 101,6 cm
sparebankstiftelsen dnb nor
© the andy warhol foundation
for the visual arts, inc.

Download the programme folder as pdf</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload38.cargocollective.com/1/0/24546/3065603/prt_1332524607.jpg" />

	</item>
		
		
	<item>
		<title>Baton Sinister</title>
				
		<link>http://www.halvorbodin.com/Baton-Sinister</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Baton-Sinister</comments>

		<pubDate>Fri, 23 Mar 2012 17:20:37 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Haugar, Bjarne Melgaard, Baton Sinister, card, art related, 2012]]></category>

		<guid isPermaLink="false">3065495</guid>

		<description>&#60;img src="http://payload38.cargocollective.com/1/0/24546/3065495/_MG_2376_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065495/_MG_2376_o.jpg" align="left" data-mid="15637943" /&#62; &#60;img src="http://payload38.cargocollective.com/1/0/24546/3065495/_MG_2378_640.jpg" border="0" width="640" height="426" width_o="1400" height_o="933" src_o="http://payload38.cargocollective.com/1/0/24546/3065495/_MG_2378_o.jpg" align="left" data-mid="15637948" /&#62; 

Bjarne Melgaard
Baton Sinister: The Venice Installation 
Haugar Art Museum
31 March–16 May 2012

Invitation card
Design by Halvor Bodin

In the few years since Bjarne Melgaard (born 1967) exhibited Hallo Maybe at Haugar in 2005 his artistic career has flourished, not least in New York where he now lives. This time he is showing the installation Baton Sinister which he fashioned for the Venice Biennale 2011, and which many commentators believe to be his breakthrough work internationally. The Sparebanken DNB NOR Foundation acquired
the work at the biennale with a view to a long-term loan to Haugar. 

In Venice Melgaard was part of a programme arranged by the Office for Contemporary Art Norway. As guest professor at the Università Iuav di Venezia he led a course on the themes of AIDS and the ability of art to change the world. To round off the project Melgaard hired the Palazzo Contarini Corfù and together with 12 students “trashed” the stately palace with a number of installations under the umbrella title Baton Sinister. This was originally an heraldic charge indicating illegitimate birth in the family line. Melgaards’s contribution included some 20 paintings, most of them declaring that the “Domestic Terrorists” in the militant Black Panther movement of the 1960s and 70s were not to be found at the Venice Biennale. On a flatscreen panel one could also follow Melgaard’s conversation with Leo Bersani (gay theorist and emeritus professor at the University of California) on the topics of homophobia and acts of counterterrorism by homosexual activists. The motto for Baton Sinister was also: Art doesn’t change anything!

The installation caused quite a stir among Biennale commentators. The art critics of the New York Times and the magazine Art Forum ranked Melgaard’s work amongst the most remarkable contributions on show.</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload38.cargocollective.com/1/0/24546/3065495/prt_1332523129.jpg" />

	</item>
		
		
	<item>
		<title>Suck on this</title>
				
		<link>http://www.halvorbodin.com/Suck-on-this</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Suck-on-this</comments>

		<pubDate>Tue, 20 Mar 2012 20:25:27 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Union Design, Suck on this, 1998]]></category>

		<guid isPermaLink="false">3045006</guid>

		<description>&#60;img src="http://payload37.cargocollective.com/1/0/24546/3045006/suckonthis_front_640.jpg" border="0" width="640" height="452" width_o="1481" height_o="1047" src_o="http://payload37.cargocollective.com/1/0/24546/3045006/suckonthis_front_o.jpg" align="left" data-mid="15526077" /&#62; &#60;img src="http://payload37.cargocollective.com/1/0/24546/3045006/suckonthis_back_640.jpg" border="0" width="640" height="452" width_o="1481" height_o="1047" src_o="http://payload37.cargocollective.com/1/0/24546/3045006/suckonthis_back_o.jpg" align="left" data-mid="15526081" /&#62; 

Promotional summer-postcard for Union Design, 1998

Printed in CMYK and Pantone 8082 metallic

Design by Halvor Bodin
3D lollipop and vector pixelfont by Torgeir Holm

Designed using Macromedia Freehand.
The kicking legs on the lower left on the back belongs to Enzo Finger. (Ripped from HÅG/Bruno Oldani).

</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload37.cargocollective.com/1/0/24546/3045006/prt_1332274557.jpg" />

	</item>
		
		
	<item>
		<title>Deconstructure</title>
				
		<link>http://www.halvorbodin.com/Deconstructure</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Deconstructure</comments>

		<pubDate>Tue, 20 Mar 2012 19:59:10 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Deconstructure, Union Design, folder, F This Is Where The Dog Is Buried, FUSE 17, 1999]]></category>

		<guid isPermaLink="false">3044667</guid>

		<description>&#60;img src="http://payload37.cargocollective.com/1/0/24546/3044667/deconstructure_front_670_640.jpg" border="0" width="640" height="3395" width_o="670" height_o="3555" src_o="http://payload37.cargocollective.com/1/0/24546/3044667/deconstructure_front_670_o.jpg" align="left" data-mid="15524417" /&#62; &#60;img src="http://payload37.cargocollective.com/1/0/24546/3044667/deconstructure_back_640.png" border="0" width="640" height="3652" width_o="670" height_o="3824" src_o="http://payload37.cargocollective.com/1/0/24546/3044667/deconstructure_back_o.png" align="left" data-mid="15524722" /&#62; 

Promotion folder for Union Design, 1999
Printed in CMYK + Pantone 8225 metallic
Design by Halvor Bodin
Typeface by Halvor Bodin

The front of the folder contains work by Halvor Bodin, Marius Watz, Torgeir Holm, Adam Cable.
The back contains work by Halvor Bodin, Trond Vestengen, Bjørn Kulseth, Ola Schjerve.
The text is dumped from the web portfolio database for Union Design at the time and contains most clients and work up to that date.

The font F This Is Where The Dog Is Buried from FUSE 17 in 1997.

Look to Norway: We are rich and we are proud. We have oil and we have mobile phones. We hunt whales. We invented the cheese slicer and the paper clip. We ate our dogs to reach the South Pole. We trust our government. We have social security. We have less discrimination of women than most other countries. We have government support of the arts. We are approaching the millenium in a state of gluttony. This Is Where The Dog Is Buried is a two-weight comment on Norwegian culture, as perceived by Norwegians themselves as well as by the world outside. The first weight (Bottom Of The Sea) is a literal interpretation of the Echo theme, scavenging shapes from the output of seismological readings of the ocean floor in search of black gold. The second weight (Top Of The Mountain) is a collection of Norwegian symbolic heritage from Vidkun Quisling and his nazi troopers to nostalgic Norwegicana.</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload37.cargocollective.com/1/0/24546/3044667/prt_1332273445.jpg" />

	</item>
		
		
	<item>
		<title>Balloon Mood poster 2</title>
				
		<link>http://www.halvorbodin.com/Balloon-Mood-poster-2</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Balloon-Mood-poster-2</comments>

		<pubDate>Tue, 20 Mar 2012 00:21:23 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[poster, design, music, Garbarek]]></category>

		<guid isPermaLink="false">3038599</guid>

		<description>&#60;img src="http://payload36.cargocollective.com/1/0/24546/3038599/bodin_anjagarbarek_poster_640.jpg" border="0" width="640" height="915" width_o="670" height_o="958" src_o="http://payload36.cargocollective.com/1/0/24546/3038599/bodin_anjagarbarek_poster_o.jpg" align="left" data-mid="15494196" /&#62; 

Anja Garbarek Balloon Mood
Her second album released in Norway 1996. Rereleased in UK 1999 with new packaging by Form. Design by Halvor Bodin and Alexei Tylevich (one of the founders of Logan) and 3D/illustration by Alexei Tylevich. Photography by Bjørn Opsahl.

CD jewelcase, Special edition Digipak, two singles, two posters and ads.
Client: BMG Norway</description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload36.cargocollective.com/1/0/24546/3038599/prt_1332202825.jpg" />

	</item>
		
		
	<item>
		<title>XS To The Ravezone – XS III </title>
				
		<link>http://www.halvorbodin.com/XS-To-The-Ravezone-XS-III</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/XS-To-The-Ravezone-XS-III</comments>

		<pubDate>Mon, 19 Mar 2012 20:03:57 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Zonetripper, music, 1997, Marius Watz, music packaging, XS To The Ravezone, rave, Zone Productions]]></category>

		<guid isPermaLink="false">3036517</guid>

		<description>&#60;img src="http://payload36.cargocollective.com/1/0/24546/3036517/xs3_image_640.jpg" border="0" width="640" height="640" width_o="1000" height_o="1000" src_o="http://payload36.cargocollective.com/1/0/24546/3036517/xs3_image_o.jpg" align="left" data-mid="15483340" /&#62; 

CD release for the label Zonetripper 1997
Cover image

Design and image compositing by Halvor Bodin
3D illustration by Marius Watz</description>
		
		<excerpt></excerpt>

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	</item>
		
		
	<item>
		<title>Zonetripper</title>
				
		<link>http://www.halvorbodin.com/Zonetripper</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Zonetripper</comments>

		<pubDate>Mon, 19 Mar 2012 18:53:27 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[Zonetripper, music, 1994, 1995, Marius Watz, music packaging, XS To The Ravezone, rave, Zone Productions]]></category>

		<guid isPermaLink="false">3035685</guid>

		<description>&#60;img src="http://payload36.cargocollective.com/1/0/24546/3035685/Zonetripper_clean_640.jpg" border="0" width="640" height="429" width_o="1489" height_o="1000" src_o="http://payload36.cargocollective.com/1/0/24546/3035685/Zonetripper_clean_o.jpg" align="left" data-mid="15479672" /&#62; 

Various CD and 12 Inch vinyl releases for the label Zonetripper 1994–1995

Design by Halvor Bodin
3D illustration by Marius Watz

1995 Pogomax Actionbird TRIP004 
1995 XS To The Ravezone – XS II TRIP006 
1994 A Taste Of The CD Compilation XS To The Ravezone (single) TRIP002
1994 XS To The Ravezone CD/vinyl TRIP001 </description>
		
		<excerpt></excerpt>

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	</item>
		
		
	<item>
		<title>Beat the Planet</title>
				
		<link>http://www.halvorbodin.com/Beat-the-Planet</link>

		<comments>http://www.halvorbodin.com/following/halvorbodin.com/Beat-the-Planet</comments>

		<pubDate>Mon, 19 Mar 2012 17:47:32 +0000</pubDate>

		<dc:creator>Halvor Bodin</dc:creator>
		
		<category><![CDATA[The Prodigy, Beat The Planet, megarave, Dub the Universe, Marius Watz, 1993, rave, music, 3D, Zone Productions, award]]></category>

		<guid isPermaLink="false">3014154</guid>

		<description>&#60;img src="http://payload35.cargocollective.com/1/0/24546/3014154/beattheplanet_low2_640.jpg" border="0" width="640" height="947" width_o="1000" height_o="1481" src_o="http://payload35.cargocollective.com/1/0/24546/3014154/beattheplanet_low2_o.jpg" align="left" data-mid="15478051" /&#62; 

70 x 100 cm Beat The Planet-poster for the 1993 Dub the Universe tour with The Prodigy as headliner. The poster is designed by Halvor Bodin with 3D illustration by Marius Watz.

This was the first large format poster printed in full colour for the rave scene in Norway. The client was Zone Productions. The poster is also featured in the book Den Norske Plakaten (The History of the Norwegian poster) by Jorunn Veiteberg.

The poster was also exhibited in the exhibition Pictures of the World: The Global Poster at Danish Museum of Art &#38; Design, Copenhagen. October 2 2009–January 31 2010.</description>
		
		<excerpt></excerpt>

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